Edouard Vuillard
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Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Johann Michael Rottmayr
Self Portrait in a Blue Coat with Cuirass

ID: 77641

Johann Michael Rottmayr Self Portrait in a Blue Coat with Cuirass
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Johann Michael Rottmayr Self Portrait in a Blue Coat with Cuirass


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Johann Michael Rottmayr

Austrian,1654-1730 Austrian painter and draughtsman. He is most notable for large-scale religious and secular decorative schemes, and his career heralded the important 18th-century German contribution to late Baroque and Rococo fresco painting. He was probably taught by his mother, who was a painter of wooden sculpture. Between 1675 and 1687-8 he was in Venice as a pupil and assistant of the Munich artist Johann Carl Loth, whose studio attracted many painters from Austria and southern Germany. It is possible that Rottmayr also visited other Italian cities, in particular Bologna and Rome. He returned to Salzburg in the late 1680s a mature painter and immediately received commissions for panels and frescoes. In 1689 he painted mythological scenes for the Karabinierisaal at the Residenz in Salzburg (in situ); in composition and style these are close to high Baroque models, particularly the work of Pietro da Cortona and Peter Paul Rubens. Such models, as well as the example of Loth, and Venetian painting, had an important influence on Rottmayr's panel paintings of this period, for example the Sacrifice of Iphigenia (c. 1691; Vienna, Belvedere) or St Agnes (1693-5) and St Sebastian (1694; both Passau, Cathedral). In these, the solidity of the figures is emphasized through the use of intense colours. For Rottmayr, however, the rational development of the figures and the composition was less important than the overall effect achieved by the use of colour. Incorrect details of anatomy and perspective found compensation in greater expressiveness, mainly conveyed by gesture and pose. Rottmayr's images are filled with plastic elements, creating a staccato effect. Several very important early commissions paved the way for Rottmayr's move to Vienna in the late 1690s.  Related Paintings of Johann Michael Rottmayr :. | Minuet | Consumador and visionary | The cotton company of New Orleans | Portrait of a Woman | The Merchants Wife |
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Giovanni Tuccari
Giovanni Tuccari (1667-1743) was an Italian painter during the Baroque period, active in Sicily. Tuccari was born in Messina. He was the son and pupil of Antonio Tuccari, an obscure painter. He excelled as a battle painter. He died of the plague. He was responsible for the frescos in the Church of San Benedetto in Catania. Other examples of his work include four octagonal paintings in the sanctuary of the Church of S. Antonio, at Castiglione di Sicilia, and La Pinacoteca Zelantea gallery in Acireale.
Joseph Decamp
1858-1923 Joseph Rodefer DeCamp (November 5, 1858 - February 11, 1923) was an American painter. Born in Cincinnati, Ohio, he studied with Frank Duveneck in that city. In the second half of the 1870s he went with Duveneck and fellow students to the Royal Academy of Munich, then spent time in Florence, Italy, returning to Boston in 1883. He became known as a member of the Boston school led by Edmund Charles Tarbell and Emil Otto Grundmann, focusing on figure painting, and in the 1890s adopting the style of Tonalism. He was a founder of the Ten American Painters, a group of American Impressionists, in 1897. A 1904 fire in his Boston studio destroyed several hundred of his early paintings, including nearly all of his landscapes. He died in Boca Grande, Florida.
MASSYS, Cornelis
Flemish painter (1508-1550)






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